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Image Theatre: Transforming Perspectives through Embodied Responses to Refugee Drawings in "Yesterday/Today/Tomorrow" ("Traceability Is Credibility") at the 2017 Venice Biennale
ARTICLE

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Research in Drama Education Volume 23, Number 2, ISSN 1356-9783

Abstract

This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack's "Yesterday/Today/Tomorrow" ("Traceability is Credibility") conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack's installation, and illustrates the application of performance methods inspired by Augusto Boal's Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017.

Citation

Bell, H. & McCormack, B. (2018). Image Theatre: Transforming Perspectives through Embodied Responses to Refugee Drawings in "Yesterday/Today/Tomorrow" ("Traceability Is Credibility") at the 2017 Venice Biennale. Research in Drama Education, 23(2), 298-319. Retrieved November 20, 2019 from .

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